Evaluation - How have you made your trailer seem like a trailer?
This close up-shot of the cycle contains a lot of movement
and motion blur which add to the fast motion feel. Shot on a glide cam
stabiliser, this allowed the shot to be tracked smoothly as I ran alongside the
actor. Lots of smooth camera motion are associated with expensive equipment such
as rail guides, crane operated cameras, 3-axis gimbles, car mounted cameras and
many other expensive solutions that suggest a bug budget film. The use of this
smooth track in my trailer makes the audience feel as if this is a big
production film, and a lot of planning went into it. People usually associate
big budget films with a good film however this may not always be the case. With
the minimal amount of equipment, I had available, I could pull this stable shot
off with great effect.
These the shots are of the institutions involved for my film
‘Aurora’. I chose to include two institutions to my trailer as this shows the
audience that this is a big budget film as multiple institutions are involved
in the making of the film. Almost all trailer now-a-days only display their
institutions briefly to save screen time. I’ve chosen the same approach by displaying
the logos for both institutions for a few seconds each. These tell the audience
the companies involved while keeping it short and sweet as it’s not the most
important aspect of the trailer.
This low angle/close-up shot of the antagonist looks
intimidating due to the use of colour. A lot of dark colour are use as well as
a bright red ring as a face. The colour red, along with the back, connote
danger, evil, death and fear. The antagonist is looking down on the camera
which may give the audience an uneasy feeling and this hints towards the
thriller aspect of the film.
This long shot depicts antagonists fighting the protagonist.
It is unclear why they are fighting and this is used as an enigma code to make
people want to see the film so they know what happens. The locations of this
shots looks like a dark rocky planet which is an indication that the film
contains adventure as there are not places here that look like this. This was
shot on a green screen and with the aid of video composition and 3D software -
I was able to create this shot. Using Cinema 4D, Photoshop and After Effects, I
could place the actors in a new location. In the second shot, we see a large
explosion which approaches the fighting antagonists and protagonist. This also
raises questions like ‘why is there an explosion’.
The two shots had been edited in such a way that it is one
continuous shot as the camera travels around the actor as they pass through a
CG portal. While moving through the portal, we see the location change from a
forest area with many trees to an open field. This is a strong genre indicator
for a sci-fi due to the portal and an adventure because of the change of
location.
From this shot, it is evident that the film is a sci-fi
film. This shot depicts the teen protagonist looking off into the distant as a
large planet in the sky. During this shot, a loud snare build up has been
accumulating to this point to make the scenic view feel more spectacular. The
use if the yellow and purple planet in the sky has been used throughout the
trailer and other ancillary text including the film poster and magazine cover.
Wherever this planet is seen in the sky, it shown the audience that it is shot
on the planet of Aurora and therefore linking to the adventure genre.
The two frames above depict the main protagonist holding a
blue glowing fire ball in his hand. This may raise enigmas about the pain
protagonist such as how he got these powers and what he plans to do with it. The
use of a blue fire indicates he is a friendly character due to the connotations
of the colour blue. Through mise-en-scène we can see the character is wearing a
hoodie which conforms to the stereotype of teenagers and their fashion. This
may make male audience members more likely to see the film as they can feel as
if they relate to the character.
This fully CGI (computer generated imagery) scene depicts
several space craft’s moving towards the planet of Aurora. When we think of
science-fiction, audience members usually think of space and spaceships. I’ve
included this in my trailer to make it appeal to a wider audience and the use
of visual effects are a unique selling point for film. Having created and
render this scene in Cinema 4D, I used my knowledge in the Cinema 4D render to
render this to a suitable standard that would look realistic and appealing.
Then using After Effects, I’ve added large red optical flares at the back of
the spaceships to emphasis the colour red and its meaning of evil and danger.
This extreme wide angle shot of an empty street shows to
antagonist spacecraft flying down towards a large tall building. It is evident
this is on Aurora because of the planet in the sky, but the large building and
spacecraft are genre indicator and enigma codes because we don’t know why they
are there or what importance the building has in the film.
The titles through my trailer are constant in their font,
animation, colour scheme and type face. Every film has a certain font and colour
scheme associated it as it builds brand identity and allows their audience to
remember the film when they see the associated colours or theme. In order for
me to build brand identity, I used the same theme in all my titles. All titles
are on a black background with a slight yellow and purple mist in the
background. The yellow and purple/blue colours relate to the colours of the
planet in the sky. All the test is white and uses the same font as the film
title unless the text is a logo. The order in which the titles appear have also
been thought out. Almost all trailer usually show their film title first,
followed by credits which include the director, actors, institutions and other
important people. This is then followed with the release date with some information
on it. I’ve chosen the same approach and order of titles to stay conventional.



























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